mid-winter thaw

Saturday morning, ten o’clock or so. We are enjoying one of those rare thaws in mid-January that feel like spring and smell like fall, that give us all a glimpse of a sun we haven’t seen for weeks on end. My wife opened the windows in the kitchen, as if for the first time, as a sojourner in a weary land.  Thirsty, she lifted her head in a silent, joyful acknowledgement of the light and breeze that flowed through and around her at the opening. Sun and air – graces in their own right, best enjoyed when they are so infrequent.

I whined a little because it was cold as well as fresh, but it was difficult to argue with how glorious it smelled and felt to flood our apartment with sunny air. So after the requisite disapproving noises I snuggled into my cable-knit sweater and large mug of coffee and kept my thoughts to myself.

We had established a steady routine of Saturday-morning-only cartoons months before. The contract was agreeable to both parties – several hours of their favorite shows on one side of the house in exchange for several hours of kid-free conversation on the other. The habit was a comforting one.

So after breakfast we arranged our 13-inch computer on the coffee table at an approximate distance from the sofa to aid our youngest in the never-ending quest to keep hands off, please, otherwise you’re going in your crib. The kids immediately lined up on the couch, stair-step bedheads in bright pajamas, squealing about Little Bear and Puffin Rock and the Gruffalo and which one was their favowite. Once they’re set, Mommy heads out to pick up some groceries, and Daddy is in the kitchen having his Daddy juice (coffee) and reading, so if you have trouble with anything please figure it out on your own.

The morning goes as planned for a half-hour or so. I receive regular reports of the doings of Little Bear and friends. I alternately bury my nose in my mug and my book, enjoying both all the more because I’m alone enjoying them, and the sun sends beams through the window.

Then, things break.

I hear a call of distress from the living room, not the usual screech of displeasure over a toy but one of actual heartbreak – from, of the three, my oldest daughter. I extricate myself from the plot line and run to the next room, expecting… I don’t know what, blood or broken glass or something. Nadia is standing up, near tears, wringing her hands. Percy is playing with his cars on the floor, and Kai is studiously picking his nose. I relax at the absence of gore (human or computer variety) and take a seat near her to investigate.

“Daddy!”

I ask what the problem is. She is really upset about this.

“I pulled Percy away from the computer! I hurt him. Mommy told me not to do that.” The tears brim over and spill down her cheeks, and she lets it all out. Percy, placid and fully engaged in Jeep noises, is obviously not damaged by his interaction with his sister. Nadia, however, obviously is.

I’ve seen many a cry in my time as a parent, but this is a new variety for me somehow. Most of the time, our children cry because there is injustice – they didn’t get something they think they deserve, or their sibling took their toy, or they’re tired and can’t process any other way. When sin has occurred, to this point, crying meant fear of discipline. Now, it means something different – a deep grief over what she did, a realization of shame – a response that is right and good when we have broken something, as we so often do.

From early parenting days I’ve struggled with the concept of discipline. It didn’t matter too much when the kids were tiny – in some sense, the routines we developed were a discipline in and of themselves. The selfish hearts we so readily perceive now were, at that point, hard to distinguish from pure hangry. What a blessing that these complex creatures come out, usually, with straightforward needs! So we developed routines and schedules and feeding times and tried to be flexible with things as best we could.

I don’t really remember when everything changed, but that might be because I don’t remember much of anything from that sleep-deprived epoch (another grace, to be sure). But one day I woke up and my kid suddenly had a sin nature. And wow, was it a doozy. We learned by osmosis or desperation to identify a rage cry versus a hunger cry. We learned that a quick flick to a hand reaching for a stovetop, followed by a serious “no, hot!” would embed the truth deeply into their psyche – that actions have consequences – without having to rush them to the hospital for second-degree burns. We learned how to clearly outline why they needed to obey, and then seconds later watched them do the exact thing we told them not to do. The first couple of times, they were always watching us carefully to see how we would respond. We responded in ways they didn’t like very much, so they learned truths about authority.

We did not do it well, or consistently, or perfectly by any stretch of the imagination. We still don’t. But our kids know right from wrong, they know what is kind and what is not, and they stop before they enter the street because we shout “NO,” and not because they see the truck barreling down the road. I have hopes that they might be contributing members of society.

A wise friend of mine (parent of four) once told me that discipline got easier when they realized it wasn’t about results. Discipline is about discipline. We cannot hope to change our children’s hearts, and thinking we can do so through discipline is ludicrous. Rather, we can use it as a tool to show them how the world works, to speak truth into their lives. We can show them that we too, require discipline from our Father – that we are all under the same rules, and that we still mess up.

Our kid’s responses now are largely related to cause and effect – the gift of discipline. My little miscreants know that discipline happens when they do something wrong, so they don’t do something wrong to avoid discipline. Or they try to hide what they did with clumsy misdirection. Nadia has become a pro at telling the non-incriminating part of the truth. Kai, though, physically cannot tell a lie. He will hem and haw for a good two or three minutes before changing the subject to train tracks or cookies.

It’s apparent that sin reigns in our children, as it has so often in us, as endearing as its host’s chubby-cheeked attempts to disguise it are. But today Nadia can’t disguise the brokenness, and my heart goes out to her, breaking as it goes.

I wrap her in my arms and let her sob a little bit, soothing as best I can. I ask if she said sorry to Percy, and she reaches for his hand to do so. Percy, the inscrutable monk, looks up at her for a moment with a lordly expression, for all the world appearing to grant her the boon of his forgiveness. He then returns to his trucks.

But Nadia is still in extreme distress, stumbling through sobs to communicate, over and over, that Mommy told her not to push him. When I suggest she confess to Mommy, and tell her we won’t punish her this time, she is vehement in her opposition. She doesn’t want to tell Mommy (regardless of punishment) and she clings to me, and I collect more tears. I’m struck suddenly how real this is to her. This isn’t something that can be cleansed by a quick confession. She is really grieved about what she’s done.

How can we even know the difference sometimes?

For years after I first realized that I needed salvation, I could not understand why certain besetting sins were still clinging to me. If I was indeed changed, why weren’t these sins – that I cognitively knew were wrong and could be overcome – why weren’t they easier to conquer? I struggled through years of fighting to be pure, of pursuing what I thought was holiness, and continually failing, and my sin was still fastened to me like a leech, and my shame grew and grew. I began to think that I was never going to be free of myself, or worse, that I wasn’t actually saved. I grew more and more ashamed, until finally, I broke.

That breaking was the moment that I realized that my sin wasn’t just an obstacle to overcome on my way to perfection. It was something that separated me from my Father. It was something that profoundly broke a relationship that I cared about more deeply than any other. When I turned away from focusing on my sin and looked to Jesus from a place of real grief and total dependence, the hold that my sin had on me loosened, if by degrees. Over time, as I continued to fall and allowed myself to be broken, and learned what it meant to seek His face, the hold loosened more and more. Suddenly, I started to experience days of freedom – more than I’d ever experienced, and a waning desire for my sin.

This was not something I did. This was Someone who broke my will to be sinless, and instead gave me His Son to make me so.

And this is the one thing I can never actually give my child.

Nadia knows the story, cognitively – how God sent His Son to die for her sins, so that she could be a daughter of God and live forever with Him. But the true gift of that bracing, sunny morning was a gift I cannot give, a gift that cannot be manufactured by any amount of discipline or “good parenting” – the gift of a heart that broke a little because she knew, somehow, that she had broken His. I can learn from this, certainly, how to hate sin, how to love my children better. But I cannot bestow the illumination that heals. I cannot speak the Word that saves.

We rocked as she wept out all the tears she could, and fresh batches swam to the surface whenever she remembered the confession ahead. When Mommy returned from shopping, they went alone into Nadia’s room and talked quietly for a short while and cuddled long after, healing the heart-wound with hearing ears and hugs. I occupied the boys. I built continuous train tracks around the living room and they knocked them over and I built them again, all the while breaking up quarrels and reminding them to be kind. We gave Nadia and Mommy privacy while we built our little loops.

We sat there on the worn brown carpet of our living room, with the sun’s warmth outside revealing worn brown grass hidden below mid-winter snows, with the fresh air flowing in and around us. I knew there in that moment that it was good to tell my children the truth: they are loved beyond belief, and they have sinned and fallen short of the glory of God, and Jesus has made a way for them to be saved.

In the same moment, I was eternally grateful that I was incapable of saving my kids, and that my Gracious Parent was working even now – in secret, in a little heart in the next room.

golden hour

My wife is taking pictures again, and the golden hour is upon us – in more ways than one, because at the height of summer it occurs immediately after the kids’ bedtime. She is roaming the acreage of my childhood home, kid-free, capturing north-central Indiana with its meadows and sloping forests. The sky is a ripe nectarine, fuzzy orange fading to lavender, and the sun sinks his teeth into it, splattering juice in slow motion.

My mom comes in from the garden, where she has been harvesting early tomatoes and tomato hornworms at the same time. She scrutinizes the former and grimaces at the latter. We set aside one chubby hornworm to show the kids tomorrow; the rest are damned to the smooshy place for their sins against tomato-kind. My wife sets her aperture and snaps shot after shot – Mom carrying the bushel basket, greens and reds, close-ups of marching caterpillars.

Linnea is scrolling through her evening memories on the wide grey porch, swaying on the swing, and Im tapping away at my keyboard when the epiphany occurs.

Blinking lazily, the first firefly of the night makes its regal ascent from dirt to sky. As I watch it rise and fall, I am aware of others in the periphery of my vision. They rise like mist from the fields until the evening is scattered with their phosphorescence. 

As if responding to an inner call that only the recently put-to-bed can hear, our three eldest children suddenly appear at the screen door, harmonizing oohs and ahhs. 

Fireflies!

Theyre out the door before you can say goodnight,belatedly yelling back to us porch-dwellers, Can we catch some?They are skipping barefoot in the grass, disrupting flight patterns. My wife and I glance at each other. The prospect of tired-out kids sleeping soundly until morning is within our grasp. We wordlessly agree to let them romp a little longer. Summer will not last forever.

Nadia and Kai have caught fireflies before, both to keep as glowing night lights on their bedside table, and for the sheer joy of catching something and letting it go free, no strings attached. They have learned to cup their hands to avoid snuffing out any unfortunate soul by this time, although Kai still periodically appears before me, triumphant, with glowing smears on his hands. For Percy, however, this is the first time he’s really been able to participate, and he is so excited he can’t stop shouting.

He clumsily snares one and exults, I caught one, Daddy!before it narrowly escapes its doom and zooms into the sky. The ones he catches seem to fly away faster than others. He is unperturbed and trots away after another. Nadia, coltish at six, runs up then. She may have more years of experience with fireflies, but that doesn’t quench her joy in them.

Mommy, mommy, mommy!  I just saw a firefly…” she pauses for dramatic effect and widens her eyes, “…land on my dress!” This is the child’s prerogative: to be utterly blessed by six little legs clinging to a nightgown. I tend to brush these things aside, adult as I am, with my diminishing capacity to perceive and appreciate true blessings. Maybe I should look closer at the mysteries of crawling things. Or maybe I’ll let my kids keep reminding me of them.

The whole planet is glowing now with the different magic of early evening. The sun is nestling under the covers, leaving only a few streaks of magenta staining his pillow. The march of the fireflies starts to mirror the procession of the stars, appearing one by one. When I focus on one the others wink at me.

A recently-sung (and apparently ineffectual) lullaby plays in my head. 

Twinkle, twinkle, little star. How I wonder what you are

My wife adjusts shutter speed for low light and the camera clicks in slow motion.

Maybe its because Im hopelessly nostalgic on the best of days, but in that snapshot moment, Im transfixed by it all. Here are my children, chasing insects through the same field I chased insects through twenty years ago, against the same sunset, in front of the same house. The world is repeating itself before my eyes, and I want to record it so I can play it over and over again. I dont think for a moment Im alone in this as a parent. We all want to bend time to our wills. How does a single second hold so much weight? 

Perhaps a solitary grain of sand in the hour glass is also infinite. After all, a day and a thousand years are the same to the One who set them in motion. If He takes such care to pack them both full to bursting with purpose and meaning, shouldnt we weigh them out well? They flit away from us like fireflies, but their fleeting nature only serves to capture us further.

My children are spinning wheels of gold against the darkening green of the lawn, their bare feet shimmering as they traverse the back of the earth in pursuit. I wonder sometimes if angels laugh at us, these inane little creatures that run around catching even tinier creatures just to let them go again. Why are they so entrancing to us, these little glowing things? Why do we love to catch them and study them? Where does that light come from? Look closer, maybe well find out. But if we somehow did, maybe we wouldnt enjoy catching them so much.

I beckon to Nadia to come and see the tomato hornworm we caught. She clambers up the porch steps and peers over the edge of the terrarium. “What is it?” This is a tomato hornworm. He eats tomato plants, and soon he will make a big fuzzy cocoon, and then hell turn into a giant fuzzy moth. She turns inquisitive eyes to me. How does he turn into a moth?

Its like dissolving from the inside out, having all your cells rearranged, and coming out of it alive and with wings. If you cut open cocoons to see whats inside before theyre moths, youll just find goop. Somehow that goop (tellingly made up of imaginal cells) becomes an adult moth within a short period of time. I tell her this in less words.

Her eyes widen. Wow!And she flits over to tell Mommy this new secret. Mommy responds with satisfactory amazement. Nadia giggles a little at the response and nods knowingly, then flutters back to the fields to chase more fireflies.

Knowing things seems to be much less compelling than enjoying them.

Up above the world so high, like a diamond in the sky.

The moments, the lights, the stars, my kids, everything is constantly shifting, and the breakneck speed of parenthood allows for little relaxation and less contemplation. When Im rooted to the porch swing, when Im stunned into silence, when the world creaks on its axis and the universe winks in my periphery, everything becomes precious and I want to cradle it and never let go.

There are names for this feeling based on which direction you look down the timeline — “nostalgia” for the past, “wonder” for the present. In future tense, Lewis called it sehnsucht, a deep longing for a place we’ve never been to. I see glimpses of it here, everywhere, because this world is only a shadow of things to come. It is mystery and wonder and familiarity all wrapped into one, and it always slips away from us all to quickly, like the golden hour. But it’s here right now, for a moment, as I watch the day fade around my children, who are chasing down illumination in the fields.

I know many who think of this sort of feeling as sentimentality, who believe that it is useless when it comes to keeping up with the incessant demands of the daily grind. How does this wonder fend off the brutality and hatred teeming in every corner of the world, or stop a bullet, or tear down a wall, or advance a kingdom? It would be easy, and it has been, for me to be embarrassed by my love for fireflies and sunsets. What light can a single firefly actually give? What good do any of these beauties and longings offer in a world gone to hell?

Much good, for the faithfulness of God frames each snapshot, the humor of God winks back at us, the mystery of God wriggles out of our fingers yet again, the love of God paints the sky for nothing more than sheer enjoyment of its beauty. We write and paint and sing and dance because we can’t get enough of God. And we long for the day when there will be nothing between us and Him.

Nights like these align our hearts to wonder at Him again, when circumstances and self fall away and the naked surprise is revealed. We see again, through His creation and care for us, that God is involved and present and working for our good and His glory. These nights repeat what my soul needs to hear over and over: “Behold, I am making all things new.” And we sit on the periphery and let the longing to be made new ache within us and our children, and we come away ready to fight again another day.

So my wife and I watch the fireflies and stars and children rising and falling on the breeze for several more minutes. Then we get that familiar twinge of parental responsibility and call to them across the lawn, Time for bed! We eventually succeed in tearing them away from it all with the promise of breakfast and more wonder in the morning. Nadia knows the drill by now and is content with the opportunity to stay up later than normal, and Kai is happily thinking about cereal now. My wife, camera dangling in a loose grasp now that the memory is safe, ushers them through the screen door and lingers, languid in the dimming light, watching our younger son. Percy is still utterly transfixed by the fireflies.

Can I catch one more, Daddy?

Twinkle, twinkle, little star

Just one more, buddy.

He reaches out to one, chubby toes glinting in the sea-green undergrowth, and his face lights up. He cups his hands, as weve taught him, and gently captures the last firefly of the night. He runs to me to show me his catch, and just as he arrives it slips out. Its been pressed down, shaken together, and now its running over his fingers, slipping away into the twilight with a final glimmer.

He looks at us and squeals with laughter, enthralled once more because it escaped him, as all mysteries must. 

How I wonder what you are.

(photography by Linnea Wheeler)

the metamorphosis of moments

(pictures by Anna and Linnea Wheeler)

My daughter loves creatures of all sorts, and has very little fear of them.

This summer, since moving to the country, we’ve had a steady stream of creatures (mostly of the six-legged variety) traipsing through our house in a variety of Mason jars and cardboard boxes. Nadia has an inquiring mind and a motherly attitude toward most creatures, so she spends concentrated effort on creating “homes” for everything that crosses her path – filled with soft grass, dirt to dig in, twigs to climb on, water to drink, leaves to eat. All the comforts of home.

A running list of occupants would include pill bugs, earthworms, beetles, caterpillars, butterflies, moths, beetles, stink bugs, grasshoppers, lightning bugs, and numerous toads and frogs. When we found a baker’s dozen of garden spiders in the back field she begged to catch one and keep it (we avoided that one – their bite can be pretty uncomfortable…) She is desperately hoping to catch a mouse right now with the aid of a trap she and Papa rigged up – a two-by-four ramp up to a deep bucket, smeared with peanut butter. She also regularly visits the back field on safari, searching for snakes and, really, anything that moves.

But the highlight of this summer has been caterpillars.

The facts of nature

We had the distinct honor of playing host to at least twenty different caterpillars over the last three months. Several died off, most were released, and some were disposed of. The tent caterpillars, we quickly discovered, were dastardly, and for the sake of Nana and Papa’s foliage Nadia has now become a tent caterpillar crusher. “Oh, that’s a bad one!” she’ll state in a matter-of-fact tone, and then matter-of-factly smush it under her shoe, wipe it off on the grass, and go on playing. So much for loving all living things. But let’s be honest, this one may be more of an effect of the fall than the pollinating varieties.

Nadia, generally, takes these facts of nature in stride. If an insect is destroying something good, it only makes sense to make sure it is destroyed. It’s fascinating to watch those garden spiders wrap up pests and remember that each eight-legged wonder is doing its part to balance the ecosystem, all from the center of an architectural structure that still confounds scientists. Admittedly, “Charlotte’s Web” also endeared her to spiders.

But there are more beautiful examples of God’s work in the world, and we had two very special caterpillars who made it to chrysalis stage – a black swallowtail and a monarch.

Nadia fed each of them studiously, every day, watching carefully for the moment they hooked themselves to the twig she provided or arranged themselves in the appropriate J-shape. We missed the chrysalis process for both of them. Each morning Nadia came careening into the room, eyes shining. “The caterpillar made a chrysalis!” and we would go and look at it, admiring the tiny skin it left on the floor of the butterfly cage.

We also missed the emergence of the swallowtail. It skipped church, and when we got home it was already fluttering about in the cage.

The monarch, however, was a late arrival, and we were determined to keep a close eye on it, marking the color of the chrysalis as the days passed. One evening it turned transparent, and we knew the time was coming.

transformation in real time

The following morning I was perched in my writer’s tower, tapping away at some project or another, when I heard my wife shrieking from downstairs that it was coming out. I ran downstairs (the emerging process is literally less than a minute) to find my entire family huddled around the cage, watching in awe as a wrinkled, chubby butterfly pushed it’s bulk out of the tiny capsule. It’s abdomen was enormous, full of fluids destined for new wings, and after it escaped from the case it clung to the outside and slowly pumped those fluids into its wings, quadrupling them in size.

I had never seen this. I caught insects all of my life, pinned them in boxes, knew dozens of facts about them. But I’d never seen the actual emergence from the chrysalis, and I really didn’t expect to be so surprised by it.

After all the waiting and anticipation, I was stunned by how weird and ungainly a newly emerged butterfly was, the proportions all off, these kind of remnants of caterpillar-ness lingering in its body. I was stunned by how quickly it slid out, with perfectly formed and sized strong legs to cling to the case while the rest of its body caught up with it. I was stunned by how it swung itself back and forth to get the fluids flowing into its wings, how it knew exactly what its body needed. And finally, when the wings were done, I was stunned at how that chubby little caterpillar had turned into this gorgeous monarch. I knew in my head that this happened. But I had just seen it in real time.

Here are some more stunning things about monarchs: they are the only insect that makes a two-way migration. They store up on nectar and then travel over 3000 miles south and west to California and Mexico to escape the cold winters of the north. They travel to the same trees that their parents did. Even though they will not make it all the way back to our garden by next year, their great-grandbutterflies will.

I’m not sure how often I think about growth in terms of cycles of transformation, but evidence abounds that that is how God works in our world and in our lives.

cycles of growth

This caterpillar spent all summer eating – nourishing its body on milkweed. And when it was ready, it instinctively followed the exact same process every monarch caterpillar does, shedding its skin to create a case. And in that case, hidden from view, its entire physical form changed. Then, when it was done, it came out – vestiges of its clumsy stage with it – and pumped its wings full of life until it was ready to fly. To escape the coming winter, it will fly to a warmer climate, then return home to lay more eggs… and the cycle begins again with the next generation.

I don’t know that I’ll ever be able to see these sorts of stages in my own life, but sometimes I catch a glimpse of them in my children. I notice, for instance, that Percy is losing some of his baby chub and getting taller. His face is thinner. He talks more coherently and with more expression. Malakai surprises us daily with new thoughts about the world. The other day he said that he was looking forward to dying, because then he can fly and eat food all the time, and never go to bed because there’s no night in heaven. Not a bad perspective, when you come down to it – even though it’s limited. But the point is that his perspective is growing, like him. Louisa cuts a baby tooth and tongues it. Nadia cuts a grown-up tooth and plots about what she’ll do with the loot from the tooth fairy. And by comparison and reflection and looking closely, we see this growth.

How this growth happens is often a mystery. We can only nurture them as best we can with the nourishment we’ve been given – memorizing the Word, praying the prayers, showing them beautiful things, drying the tears, giving liberal amounts of hugs and kisses, putting food on the table, giving them medicine when they’re sick, removing destructive things from their lives, making sure they sleep… it’s never a single piece. It’s an ecosystem. Sometimes we’re the milkweed, sometimes we’re the twig, sometimes we’re the spider. Sometimes we’re the little girl who feeds it.

in light of who we were

We only notice these subtle cycles when we look closely at where they were and where they are. But the change is happening, every moment of every hour of every day of every week, month, year, decade… and then suddenly you’re an adult and going off to college and getting married and having kids of your own and you live for ten years in Chicago and then move to Indiana and when you visit your friends back in Chicago for a weekend it all comes flooding back and you see just how much you’ve all grown and changed… but only in retrospect, and only in light of who you were.

Does a caterpillar know what stage of transformation it’s in? Does it realize that it’s turning into something new? Or is it just thinking caterpillar thoughts like,

“Wow, I just destroyed that leaf. Welp, on to the next one.”

“Okay, time to hang upside down for a little bit, spin a little something. Boy, I’m tired.”

“Oh man, gotta stretch these things on my back… wait a minute. Where did those come from?”

I like to think, when I’m feeling purely unscientific, that it’s a little bit of a surprise for the caterpillar when it takes off for the first time.

nurturing the unfolding

The past is instructive, the present is hard to pin down, and the future is uncertain. But by God’s grace, there is still growth to be had, by increments and in cycles and through metamorphosis.

Nadia, of course, had the privilege of carefully assisting the new monarch out of its netted cage. It crawled onto her cupped hand and she drew it out of the cage. It fluttered away, rising to the height of the ornamental pear tree in our front yard, landing on a leaf and slowly opening and closing its new wings. It soaked in the sun for a long while, and we didn’t see where it flew off to. But next year we’ll see new ones, which will lay new eggs on some milkweed leaf in the back, and maybe my newly minted 7-year-old daughter, gap-toothed and coltish, will locate the leaf and nurture the caterpillar and watch the next generation unfold.

Watching and guarding and nurturing that unfolding, right now, is the gift that Linnea and I have been given, like our parents before us and back for generations. May we learn what we can from the moments, knowing that transformation is happening – in hearts and minds and bodies, in mysterious and holy ways.

 

christopher robin: through a child’s eyes

For Linnea’s birthday (a couple weeks back) we went out for ice cream with some close friends and then to a movie we had both wanted to see for some time: Christopher Robin.

We are both Winnie-the-Pooh addicts from way back, and our kids are rapidly becoming ones too. We made sure of that early on. It was with no small amount of trepidation that we entered the theater that night. Would something we loved so dearly as children and now as parents be treated respectfully by Hollywood?

We were pleasantly surprised. In fact, this is the best iteration of Winnie-the-Pooh and his friends that I have seen since they simply animated the original storyline.

points, points, points

Disney scores points with Pooh-fans for a slew of reasons. They know their audiences – children and adults. The truth of the matter is, children aren’t the ones who buy children’s books and movies. Their parents are. Today’s parents (and over fifty years of parents, actually) grew up with Winnie-the-Pooh in one way or another. It’s a cash cow like none other.

Be that as it may, they take a well-used scenario – mid-life crisis workaholic dad learns his lesson – and freshen it up brilliantly. It takes skill to make an old storyline sing, and this one does. They also mimicked the voice acting of the original 70s film and translated the nostalgic final chapter of Winnie-the-Pooh into live-action word-for-word.

But where the rubber really met the road in this film was when Pooh opened his mouth.

True-to-essence dialogue

I have done some dialogue myself, and it’s not easy. I stand in awe of those writers who can put themselves in a person’s shoes so deeply that they know exactly what that person would say at any given time.

Whoever wrote this script – and I’m sure it rests strongly in the hands of up-and-comer Alex Ross Perry – knows how the characters in the Hundred-Acre Wood talk. The naivety was never pandering, the humility never feigned. Pooh and his friends (particularly Eeyore) spoke hundreds of lines that I could swear were written by A. A. Milne himself. It was genuinely funny, sweet, and tear-inducing at multiple points.

Add in a dash of British actors, beautifully-textured animation and on-location scenery, and a healthy dose of slapstick, and you have a film worthy of its source material.

It was absolutely nothing like the new live-action version of Peter Rabbit that stumbled into theaters early this year.

How to ruin Beatrix Potter for everyone

Peter Rabbit has British actors (James Corden plays Peter), lovely scenery, slapstick action, and nods to the original source material as well. Although… the nods are more like grimaces.

Don’t get me wrong – I’m a huge fan of Beatrix Potter, British actors in general and James Corden in particular. But this film stinks royally, for all the opposite reasons that Christopher Robin comes up roses.

It distances itself from its source material in an obvious attempt at cultural commentary. Instead of wit, it relies on cheap gags and body humor. Its music doesn’t know what decade it’s in. The storyline is hard to find, and when you do you realize you still have no emotional investment in any of the characters. Once or twice you laugh, but mostly you cringe.

In other words, this is not the fresh take on Peter Rabbit that you’re looking for. It’s old and tired precisely because its thoughtless and modern. Its exactly how so many children’s writers and publishers are making their money.

choosing a different way of seeing

The classic nature of A. A. Milne’s stories rely on characters that are truly themselves, set in a world that is truly a child’s world. Winnie-the-Pooh and his counterparts – Beatrix Potter’s friends, the gang of Wind in the Willows, the children of Narnia – are quite different in their composition and direction than the majority of children’s literature available. The authors choose to take the world from a child’s view rather than an adult’s view, and this natural empathy is why they endure. It seems obvious to say it, but children see their world from a child’s point of view. They get too many adult viewpoints on their world as it is. When they find characters who think the same way – they stick with them.

This is where Peter Rabbit missteps. It’s a thoroughly adult movie stamped onto a kid’s format. It’s cynical, but not in a sly or witty way. Because of this, it carries no emotional weight at all. It is the definition of mindless entertainment, but it cost 25 million dollars less to make and made twice what Christopher Robin did at the box office.

Christopher Robin takes its time and does the hard work of establishing a child’s point of view in every shot. Even the adults in the film are viewed from the perspective of a child. The characters at Christopher’s workplace and the people Pooh and his friends encounter in the real world are caricatures. They are silly, generally confused, and just a little thick – but never in a mean-spirited way. This is a child’s perspective, not an adult one, and its one that Christopher  gradually realizes by the end of the show – along with the audience.

But this viewpoint doesn’t mean that it doesn’t apply to adults or even our cultural context, not by a long shot. The mantra of the film is that “doing nothing often leads to the very best something,” and signals a surprisingly historical economic paradigm shift – one that is, of course, biblical through and through. This shift is welcome in our current moment too, and it comes about through choosing to see the world through the eyes of a child.

It’s true. You don’t have to pander to current tastes and pop culture to be culturally relevant. You just have to write a good story. And if you do, that story can live beyond you.